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CHAPTER X THE PRIZE DESIGNS "Oh, I'll be through in time for the luncheon," said Elinor, hastily. "But if I'm not out here by eleven-fifteen, you'd better start without me. I can meet you somewhere, or you all can come over here for me." She put the question to Griffin when she met her in the hall after the class had broken up in disorder to celebrate the initiation by a general gambol through the deserted halls and corridors. Patricia and Griffin were seating themselves on a drawing-board at the top of the short flight of stone steps that connected the back corridor with the exhibition rooms above..
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Conrad
Patricia gazed approvingly at the dim, shadowy study of graceful figures grouped in attentive attitudes about a reader in a landscape of suggested loveliness that spoke to any observer with delicate symbolism. "Didn't I! Wait and see!" "That may be," rejoined Etwald, taking a seat, "but I can not be sure. You see neither you nor I know anything of the poison which was in the handle of that African instrument. It--" It was a little over a foot long, of a hard-looking green wood; the handle of gold was coarsely molded in a barbaric fashion round the turquoise stones, and these, of all hues, from green to the palest of blue, were imbedded like lumps of quartz in the rough gold. Round this strange implement there lingered a rich and heavy perfume, sickly and sensuous..
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